SYDNEY ROSE MAUBERT
  • ARCHITECTURE
    • 2023 HYMNS
    • 2022 INTIMACIES
    • 2022 BRAIDS
    • 2021 TAPESTRY
    • 2021 MECCA
    • 2020 ALMIGHTY DOLLAR
    • 2020 WUYÁMUSH
    • 2020 ROBOTICS
    • 2019 ROME
    • 2018 COMPREHENSIVE
    • 2018 INSTALLATIONS
    • 2018 RENDERS
    • 2015 DRAWINGS
  • PAINTINGS
  • ABOUT
  • CV
  • EMAIL
  • REQUEST FORM
  • ARCHITECTURE
    • 2023 HYMNS
    • 2022 INTIMACIES
    • 2022 BRAIDS
    • 2021 TAPESTRY
    • 2021 MECCA
    • 2020 ALMIGHTY DOLLAR
    • 2020 WUYÁMUSH
    • 2020 ROBOTICS
    • 2019 ROME
    • 2018 COMPREHENSIVE
    • 2018 INSTALLATIONS
    • 2018 RENDERS
    • 2015 DRAWINGS
  • PAINTINGS
  • ABOUT
  • CV
  • EMAIL
  • REQUEST FORM
SYDNEY ROSE MAUBERT

DATA COLLECTION, BLACKNESS AND THE ALMIGHTY DOLLAR

Architecture Elective,
Faculty: Mark Foster Gage
2020
These hierarchical stances assumed through language, words like “global”, “advancement”, “development”, “civilized”, “tribe”, “urban”, reinforce a racially biased hierarchy without effectively communicating the location, status, ethnicity, region or socioeconomics conditions of the desired group of people. In the avoidance of titles, politics or religious affiliations, we fall under the mass societal faith of the City- State: the Almighty Dollar. We pray and give offerings to false idols of the monopolistic pantheon: Google, the NSA, Social Media Organizations, Fast Food chains, Children's media. The goal is to call attention to the parallels one can draw between Home, State and Church, between Afrocentric and Eurocentric worlds and forms of Globalization- parasite or advancement?

Architecture
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